Latest Free
Download
Another free download from BigEarsRecords. A 1961 Decca recording for Reader's Digest of Haydn's Symphony 100 in G major 'Military' with the Royal Philharmonic Orchestra conducted by Charles Gerhardt.
Chuck
Gerhardt wa
s a prolific recording
artist from the 1960's to
the 1990's, as both
producer and conductor - sometimes
both simultaneously. Numerous
orchestral recordings, many with
the specially created National
Philharmonic were made with great
panache and élan.
Despite the commercial success of his recordings, his popularity among musicians, and numerous invitations to conduct in concert Gerhardt consistently demurred.
Listen,
download and read more
on the Free
Download page
George Korngold, Bernard Hermann & Charles Gerhardt
More Free
Downloads
BigEarsRecords adds a
new free download to the site; Øivin
Fjeldstad conducting the Oslo Philharmonic
Orchestra in a performance of Schubert's
Symphony No. 8 'Unfinished'.
Recorded i
n 1959 for Reader's Digest
record label, the recording first appeared in a box set available to subscribers to the monthly magazine. But like
so many of the label's
fine recordings, it has never been re-released on CD. More details can
be found on the Free
Download page where the recording is available for streaming and
downloading.
BigEarsRecords
will shortly add
Fjeldstad's Oslo Philharmonic recording
of Brahms
Symphony
No 3
to the free download page.
Free Downloads
BigEarsRecords launches the first in a series of free downloads; a new transfer, produced from an original mono LP, of the Juilliard String Quartet's 1949 recording of Bartok's String Quartets Nos. 1 & 2

The ensemble was
just three years old when it made this recording.
But when the more mature quartet visited the UK
some 5 years later the recording had yet to be
made available to the British public. Its eventual
release came in 1955 and was declared by
Gramophone magazine to be "authentic in
style, extremely fluent technically without ever
descending into mere slickness, and beautifully
polished."
These recordings came at an interesting juncture
in recording history. For one
thing, they were simultaneously
available on both 78rpm shellac and vinyl LP. More
significantly, these Juilliard sessions were among
the earliest Columbia sessions to exploit the
new medium of tape recording. Where musicians in
the past had been obliged to record music in four
minute chunks so as to fill a side of a 78rpm
disc, they now discovered the many freedoms of
tape; it
became possible to record much longer sections of
music without stopping, and it was also possible
to edit - a practice which, hitherto, had been technically
impossible.

The recording sessions took place at 30th Street Studio C,
a former Presbyterian Church in Manhattan, New
York City, which Columbia Records had taken over
that same year. It was, by all accounts, a
magnificent studio that was to be the birthplace
of many famous recordings before its eventual
closure in 1981. Glen Gould's Goldberg variations
were recorded there and a number of Rudolf
Serkin's Beethoven piano concertos, not to mention
Miles Davis' Kind of Blue and a host of other jazz
and popular music albums.
The audio can be streamed as mp3 files or downloaded as 24bit 96Khz mono flac files Bartok's String Quartets Nos. 1 & 2
Forthcoming release
The next recording project
due for imminent release on BigEarsRecords is
Colin Stone's recording of Prokofiev's War
Sonatas. The three Sonatas 6, 7 & 8
written during the 2nd World War are fierce
and demanding works for listener and pianist
alike.
In the meantime, click the
links below to stream 17-year-old Freidrick
Gulda's 1947 recording of Prokofiev's 7th
Sonata.
FLAC files provided
courtesy of CHARM (Centre
for History and Analysis of Recorded Music)
The web service is a Norwegian start-up founded and directed by cellist Øystein Birkeland. It operates a subscription model and plans to make available high-resolution downloads in the near future.
BigEarsRecords is pleased to enter this collaboration with ContraClassics and welcomes the opportunity to support a dedicated classical music service; created by musicians for musicians.
Berlin International Music
Festival
The London Mozart Trio is to
appear at this years' Berlin International
Music Festival. The Concert, on 27th June will
feature the Martinu Piano Trio in D-minor,
Brahms Piano Trio in C-major Op. 101 and
Rachmaninov Trio
élégiaque in D-minor Op. 9 which is
available on BE006.
Further information available on the Konzerthaus
website.
Immanent Release - Czech
Piano Trios
Big
Ears
next release is currently in post-production and is
expected to be released this autumn. Not before
time, some might say given that much of the
repertoire to be included was recorded 12 years ago.
So why has it taken so long? Well, all the works on the forthcoming disc with the exception of the D minor Martinu Trio were recorded in 2000; the same time as the Shostakovich Piano Quintet and Trios previously released on BE002. Recording sessions were scheduled at Potton Hall in Suffolk after the LMT was invited to record the Shostakovich works for release on another record label which unfortunately became insolvent while our sessions were still under way. As a result, the Trio – now in a similarly penurious predicament, having picked up all the recording costs – was left with a number of recordings with no apparent prospect of release.
Some years later, the launch of Big Ears Records
ensured the release of the Shostakovich works
mentioned above, but the Smetana, Martinu and Suk
Trios have been languishing in the can ever since together
with a recording of the Arensky Piano Quintet
which to this day remains unedited.
BE007 disc will
present a fascinating opportunity to compare the
recordings featuring Leonid Gorokhov on cello with
the Martinu D minor trio which introduces Sagi
Hartov who joined the Trio last year.

Speech Room Harrow School
Potton
Hall Suffolk
Moreover, as this last work was recorded in The Speech Room at Harrow School it offers the audiophile an opportunity to evaluate the recorded representation of this acoustic with that of the earlier recordings made at Potton Hall in Suffolk. Far from trying to disguise the fact that these recordings were made in different acoustics, Big Ears Records consider the acoustic a feature of particular interest; not something to shroud beneath a veneer of artificial reverberation. Indeed, all of Big Ears Records are guaranteed free from artificial reverberation.
LMT welcomes new
cellistA fuller biography of Sagi is available here.
Big Ears new release
More information is available here
Sagi Hartov. Photo © Jack Libeck